Wednesday, September 28, 2016

Fabulous Fay Lamb Joins Us Today!


I met Fay in ACFW's critique group. I absolutely loved the story she was writing and could
not wait to read more of it! If you haven't read Fay's books, I highly recommend doing so!


Fay Lamb is an editor, writing coach, and author, whose emotionally charged stories remind Stalking Willow and Better than Revenge, Books 1 and 2 in the Amazing Grace romantic suspense series are currently available for purchase. Charisse and Libby the first two novels in her The Ties That Bind contemporary romance series have been released. Fay has also collaborated on two Christmas novella projects: The Christmas Three Treasure Hunt, and A Ruby Christmas, and the Write Integrity Press romance novella series, which includes A Dozen Apologies, The Love Boat Bachelor, and Unlikely Merger. The romance novellas have also been combined into one volume entitled The Heart Seekers. Her adventurous spirit has taken her into the realm of non-fiction with The Art of Characterization: How to Use the Elements of Storytelling to Connect Readers to an Unforgettable Cast. Fay has contracted two series.

Fay loves to meet readers, and you can find her on her personal Facebook page, her Facebook Author page, and at The Tactical Editor on Facebook. She’s also active on Twitter. Then there are her blogs: On the Ledge, Inner Source, and the Tactical Editor. And, yes, there’s one more: Goodreads.

Anyone interested in learning more about Fay’s freelance editing and her coaching should contact her at fay@faylamb.com.


      Joi: Why did you start writing? How did you start writing?

Fay: I know that these days it sounds cliché to say that I’ve been writing since I was very young, but I have. I always had stories dancing through my head. I never checked this theory, but I truly believe I could have been the youngest recorded insomniac in history (five years old). As a fearful child, I didn’t sleep. My brain had to relieve me of my childhood anxieties and keep me entertained at the same time so it formulated characters and stories. Before I could write, I directed. All the kids in the neighborhood would gather around, and I’d have them act out the stories in my head. I can remember reading the newspaper to my father when I was five years old because I wanted to learn to read all of the books in my grandmother’s library (and she would take a lot of those books from me when I tried to read them at that age), but I also needed to learn to write because I simply wanted to write the stories I’d envisioned.

Today, the characters and stories still dance inside my imagination, and I’m still directing in my mind and on the page.
Joi: Love that, Fay!



          Joi:   How did you select your genre?

Fay: Could I get away with saying, “A funny thing happened to me on the way to my last line …”? I actually started writing what I considered women’s fiction. Then someone came along and whispered to me, “Don’t say women’s fiction. It doesn’t sell. Call it contemporary fiction. It’s the same thing, but readers don’t buy women’s fiction any longer.”

In those early days as I wrote my contemporary fiction, I’d exclaim, “I don’t write romance.”

Well … Oh, yes, I did, and I do. I don’t write it like Love Inspired and other formula romance publishers like it, but everything I write has romance in it. Romance is important to story. But that truth never hit me until the first novella I participated in entitled A Christmas Tree Treasure Hunt, in which I was the only author who introduced a romantic figure. I tried not to do it, but I stopped fighting against it. Since the contemporary fiction I cut my teeth on when I thought I wasn’t writing romance turned out to be filled with romance, I learned that I am a hopeless romantic—at least on paper. My husband would say that in real life, I’m pretty pathetic when it comes to romance, but I love a great conflict filled story of romance. Add suspense to the mix, and I love it even more.



          Joi: What is your writing day like?

Fay: Ugh … No, I don’t mean the writing part. It’s actually getting to the writing. I have a to-do list that meanders through housework, editing, coaching, promotion, bookkeeping … and writing. Now, when I start the writing, I don’t have trouble with word count. I can write a thousand words in an hour on a mediocre day. I love to dance through those thousands of words. Here’s my problem: I have to convince myself that I’m not wasting my time, my husband’s time, and the time of everyone else who needs me. The reason I have to daily convince myself of this is because writing is so much fun. It’s the escape it has always been since my insomnia at five years of age. Even editing my work is fun for me because in edits I can include another layer of story. If someone asked me if I’d like to visit Disney World or spend a day alone writing, I’d be at my desk writing away, enveloped in the world I created with the characters I love—even the creepy ones—while my family enjoyed the attraction.

I do believe, though, that my husband and my loved ones are beginning to realize how important my daily writing time is to me. I get pretty cranky when I can’t spend time with my imaginary friends.



      Joi: How do you organize your writing? (outlines/note cards/post-its)

Fay: Writing is probably about the only thing I don’t organize. On occasion, if I get stuck on a plot, I’ll use a system similar to the LOCK system that James Scott Bell created and teaches. Otherwise, the story at hand is always running through my head. Sometimes it needs to compete with other stories, but even when I’m not sitting at the computer, my mind visualizes scenes so that when I sit down to type, the scene is mostly written in my head, and I put it down on paper.



          Joi: What's the most surprising thing a character has “told you”?

Fay: I love this question because this just happened to me, and it wasn’t one character, it was five of them. I’m writing away, and the hero and heroine are receiving information that points to the antagonist. That’s when the villain started snickering and asking me how foolish I thought he was? He taunted me with “Why would I do that? That doesn’t make sense. Of course, they’d catch me if I did that.” His chastisement lasted for a few days, and I was pretty ticked at him for ruining my plot. Then four characters approached me. When I asked them what was going on, they each told me their part in everything I’d written, “Well, I’m the one who did that because …” and I got an answer from each of them that put some great twists into the story, put the entire plot into perspective, and kept me moving forward. The villain ain’t too happy, but the other four high-fived me.
Joi: That is fantastic!!!



        Joi: Do you have a list of characters that you're saving for future use? What kind of information do you keep on these characters

Fay: A list? Like a written list? Ha Ha. That thought never occurred to me. I’ve probably outed myself as an insane individual before this question, but in case there’s any doubt, I can give you a list of characters (all from memory) who are vying for attention. When I bring them on stage, I have a perfect picture of them in my mind; I remember where they live, what they do, what their story is about, and how they know each other, which ones belong with each other, and which ones have really never met the others because, of course, they’re from different series, and then there are those who cross over from one series to another. I’m clearly under-estimating the number of characters when I say there are at least fifty of them inside my imagination.

I want to be careful here: these are characters and not levels of my personality. I’m a little off of center, but not that far. I’m the director, and they never, ever take over—not completely.



       Joi: What does your work space/office look like?

Fay: I work in a bedroom turned office at the far end of the house from my husband’s office. From behind my L-shaped desk sitting in front of the window, I look out onto my front yard at oak trees, azalea bushes, squirrels, birds, birds chasing squirrels, the two outdoor neighborhood cats that everyone believes belong to me (probably because I feed them), and the lizard that has taken to playing peek-a-boo and tormenting our indoor cat by sticking his head around the shutter and moving back and forth. My desk sits between two bookshelves, one filled with writing references and the other with my to-be-read collection, which is just about as large as the same type of collection in my Kindle. A portrait of my grandmother when she was a small girl watches over me from its place on the wall, and a picture of a dog at the typewriter, reminds me, “Do not waste a day without adding words to the page.”


                    Joi: What is your go-to snack when writing?

Fay: My go-to snack anytime is ice cream and/or sweet iced tea (of course in the South it’s called iced tea—sweet is redundant) from our town’s wonderful Moonlight Drive-In. I’m enjoying a cup right now. We don’t keep snacks in the house mainly because, heaven forbid, we’d eat it. Well, we don’t keep that much real food in the house either because, heaven forbid, I’d have to cook it. But we do head to the Moonlight Tuesday through Saturday (they’d call the police thinking foul play had occurred if we didn’t show up) for the best iced tea ever, and quite a few times during the week, we enjoy their ice cream.
Joi: My husband loves ice cream! It's his favorite!



      Joi: If you could only recommend one NOVEL, what would it be? Why?

Fay: You mean besides one of mine? Only kidding.

That’s a very easy questions because I’ve been thinking about the novel lately. It was required reading for Florida high school students for a number of years because it was written by an author who was only seventeen years old at the time. I don’t remember if the author used the elements that I believe go into crafting a well-written novel, but I do know that when I was seventeen, my mother came into my room one night to shake me awake because I was crying out a line from the story: “Stay gold, Ponyboy. Stay gold.” The novel is S.E. Hinton’s The Outsiders. The reason I recommend it is because that story captured my imagination when I was seventeen, and the story lingers with me still today, and that’s what the best stories do. They linger with the reader. They aren’t forgotten as soon as the last word is read.



      Joi: If you could only recommend one CRAFT book (writing, not crocheting), what would it be? Why?

Fay: I’m going to cheat on this one. I can’t recommend just one book, but I can recommend one author I credit with most everything I have learned about writing fiction. If I’d read no other books on the craft of writing but his, I would have been well-served. Every author should read and keep on their shelves for reference, each book written by James Scott Bell on the craft of writing. Mr. Bell teaches without all those highfalutin phrases and boring feats of engineering other writers on craft use. He cuts to the chase, tells you the job is hard, but he explains it so well that a writer, working diligently to learn can’t help but improve. He uses great examples and simplistic terms. The man has been, and continues to be, a tremendous blessing to writers.

Oh, and I don’t crochet, but I do tat. I could recommend some books for tatting, if you’d like.



      Joi: Is there anything else you'd like to add?

Fay: I get the feeling that by the time you got to my answer for this question, you were cringing.
Joi: Absolutely not! I have loved this interview!

Fay: Joi, I just want to thank you for letting me have fun with the interview today. I bet you couldn’t tell that I love to chat, and I appreciate you’re inviting me to do so.
Joi: Thanks for joining us, Fay! Fay has graciously offered to do a giveaway! Tell her in the comment below what your favorite snack is!



Wednesday, September 21, 2016

Interview and Giveaway with Candee Fick!!

Stories of Faith, Hope, and Love

by Candee Fick!

Danielle Lefontaine, a fledgling actress raised to the lullaby of Broadway, searches for her long-lost brother and her place on the stage, but a jealous cast member and numerous fruitless leads threaten to drop the curtain on her dreams and shine a spotlight on her longing for a place to belong. Meanwhile, Alex Sheridan is living his dream except for someone to share it with. When Dani dances into his life, he hopes he’s found the missing piece to his heart but fears the bright lights of a bigger stage could steal her away.

Will the rhythm of dancing feet usher in their deepest desires or leave them stranded in the wings?

Today we welcome author Candee Fick to the Diamond mine!And don't forget to leave a comment for a chance to win a free copy of Candee's latest book!

Hi Candee! Great to have you on the Diamond Mine!
I see that you’ve written a number of non-fiction books before your fiction novels. What made you decide to write novels, and was it a difficult transition?

I actually started out trying to write a novel, but in the process of taking an online writing course, I was assigned a few non-fiction articles that led to books and so that’s where my publishing journey began. Along the way, I continued to write fiction on the side, grew in my craft as a storyteller, and regularly submitted my work to critique partners and contests until I finally attracted the attention of an editor. My experience with non-fiction, including blogging, taxes, queries, and proposals, has made the business side of the transition easier, but I’m still learning how to write a better novel faster.

Me too! So, how do you get your story ideas?

Some of my best story ideas have come either while waking up from a dream or when daydreaming about a person or situation I observed. My two favorite questions to ask are then “Why?” and “What if…?” because that’s where I discover who these people are and why they are in this current situation. If I’m interested in the answers, I’ll dig deeper with more questions until I’ve harvested the foundation for a short story, novella, full-length novel, or even a series idea. Some story nuggets have been percolating on the back burner of my brain for a very long time.

I can really relate to that, as I'm sure so many writers can! 
Do you plan out your story with an outline or general framework, or do you write as you go?

I definitely work out a general framework for the story before I start writing, but I leave plenty of room for my characters to walk onto the page and surprise me. There’s a lot to be said for a solid believable plot that initiates an internal change in the life of the characters, and both plotters and pantsers eventually reach that same destination. Personally, I don’t like investing time in extensive rewrites so I’d rather put in the work ahead of time to make sure there’s a solid story arc with good character motivations before I start romping on the page. As long as I don’t stray too far from the framework, I can enjoy the journey while minimizing the necessary time for revisions.

Good plan! 
How much of your own life and self do you put into your characters?

I definitely invest myself emotionally into my characters. While I might not be an athletic trainer in a football program or a tap dancer at a theater, I know a lot about trying to come up with a Plan B, struggling to forgive, or wishing I could fit in with the popular crowd. The situation might be different, but I can identify with the basic emotions that make us human. That said, I like to write about things I enjoy so watching a college football game, attending the dinner theater, or even hiking in the Rocky Mountains have made it into my stories.

Are any of your characters based on real people?

Yes…and no. Certain antagonists may or may not have been inspired by the actions, words, or sneers of real people I’ve known, but I’ve certainly changed names, professions, physical characteristics, and more to protect the guilty. I’ve even combined several “inspiring” folk into a single antagonist before. As for my good guys, some of them might do or say something that a real person in my life did, but the rest of the character is unique. For example, my husband started our first date with prayer but he can’t play an instrument or even enjoy watching a musical. When my mom read an early draft of my latest release, she immediately recognized that event in the story, but it was clear that my trumpet-playing, theater-running character was a completely different person.

I know what you mean about weaving in some reality throughout our stories! 
Tell us a bit about the main characters in your latest book, and what you like best about them.

Danielle, aka Dani, is an orphan who survived years in foster care, discovered the joy of dancing, found a new home, and now is forging a path toward a professional career in theater while still searching for the younger brother she was separated from at age six. I love her sense of humor and the deep spiritual connection she shares with God while dancing. Alex on the other hand is a talented musician and college business student who is using his gifts to help run his family’s dinner theater, but he’s skittish when it comes to dating an actress because his last girlfriend put advancing her career above their relationship. I love his charming mixture of stability and vulnerability…and those dimples are so adorable!

They sound like very engaging characters! 
Since you’re writing romance stories, what part of a romance do you find most compelling?

I like the part where a couple falls in love because it’s a journey of discovery filled with giddy emotions and confusing signals. Does she like me? He just brushed up against my arm and I still feel all tingly. What is that look supposed to mean? People rarely fall in love at first sight and so there’s a natural progression of attraction and getting to know each other and being turned off by one thing about the other person while adoring another aspect. Until they finally kiss for the first time and tentatively form a couple who then navigate the rest of the story. I love discovering what draws my characters together and then what makes it stick for the long haul.

Nicely explained! 
If your stories have a basic interwoven theme for the reader, what is it?

As a faith-based writer, I tend to weave in some aspect of God’s character in such a way that my characters’ journey can inspire the reader as well. For example, in Dance Over Me, I wove in the idea of God as an adoptive Father as well the idea that He is at work behind the scenes in our lives. My tagline is “Stories of Faith, Hope, and Love” because my mission is to show God’s love through a romance story, illustrate genuine faith in action through the challenges my characters face, and then leave readers with hope that God is real and they too can overcome their challenges with His help.

I think all faith-based writers can relate completely to your sentiments, and share the same hopes as you've just expressed.
What do you like most about being a writer?

I love the creative process where I get to dream up interesting people and situations, block them into a corner, and then figure out a way to rescue them. I especially love it when my creative juices start flowing and the perfect plot twist drops into my imagination. That’s when I can’t type fast enough to keep up with the story unfolding in my head. Those are the moments where I feel God smiling as I write. (Unfortunately, even when writing inspired, I still have to edit and revise. Bummer!)

I hear you!
What are you working on now?

I’m currently updating an older manuscript that has yet to be sold. Once that proposal is back out the door, I’ll give the sequel to Dance Over Me another revision pass with fresh eyes before diving into the fast draft of the third book in The Wardrobe series. In the meantime, there are a few more ideas clamoring for their turn. I have to keep telling myself to focus on one book at a time.

Thanks so much for the interview Candee!! It's been a pleasure.
Readers, remember to leave a comment for a chance to win a free copy of Candee's latest book.

Here's a short excerpt from Candee's book: Dance Over Me:

(Partway into the Prologue)
After introducing herself, Miss Amy put her hand on Dani’s shoulder. “Mrs. Johnson, this is Danielle Barker.”
Dani reached out her hand to Mrs. Johnson the way Mommy had taught her. “Nice to meet you.”
Mrs. Johnson’s hand felt warm as they shook hands. “Welcome to our home.”
“Dani’s joining her brother, Jacob.” Miss Amy squeezed Dani’s shoulder.
“Jacob?” Mrs. Johnson’s face got really white. “He’s gone.”
Gone? That’s what they said about Mommy and Daddy. Dani’s heart stopped beating for a moment and then pounded under her sweater.
“Nobody told us there was a sister. The Wilsons took him home yesterday.” Mrs. Johnson sounded mad.
Dani’s arms tingled and a noise like a waterfall echoed inside her head. “Why did the Wilsons take him?”
The grown-ups got that look like when they forgot kids were listening. Mrs. Johnson pulled them inside the house and shut the door. Miss Amy left to use the telephone. Trembling, Dani stood by the wall. Mrs. Johnson sat on a chair and covered her face with her hands. Down the hallway, music played and children laughed.
After a long time, Miss Amy returned. Her eyes looked sad as she got on her knees in front of Dani. “You’re going to stay here with Mrs. Johnson. But your brother’s being adopted. He has a new family now.”
A new family?
Dani shook her head and tears filled her eyes. No. J. D. was her family. They couldn’t take him away. Not with Mommy and Daddy gone to heaven. She had to take care of him.
She pushed Miss Amy away and screamed.

Chapter 1

Danielle Lefontaine wiped sweaty palms on her short skirt. Auditions always put her off balance.
“Next up. Number seventeen.”
Dani rolled her shoulders once, gave each leg a shake, took a deep breath, and clicked her way up the three steps to the polished hardwood. Approaching center stage, she scanned the house and zeroed in on the older couple seated behind a table on the second level.
“And what will you be showing us this morning?”
Dani’s gaze skipped over the tall woman who’d checked her in earlier and focused on the middle-aged director who was busy rolling a pen between his fingers. She swallowed hard to dissolve the cotton-like feeling in her mouth.
“I’ve prepared a series of tap combinations.” Dani did a quick shuffle step to draw attention to her footwear and break the tension that seemed to have paralyzed her body.
A snort of laughter erupted from an area to the right of the judges’ table.
Dani shifted her gaze to the critic. Female. About her age. The blonde bombshell diva-type leaned over to whisper something in the ear of the dark-haired man beside her as two other women giggled behind them. Based on the logo on their T-shirts, they were part of the theater company and therefore in a position to enjoy watching the auditions without the fear of dashed hopes.
“Do you have accompaniment?” The director rested his chin on folded hands.
“I do.” Heat from the stage lights sent a trickle of sweat down Dani’s back.
“Whenever you’re ready.”
She glanced at the cluster of actors. The diva picked at her nail polish, and the others looked equally bored. Time to let her feet do the talking.
She stepped into position and nodded in the direction of the soundboard on the third level at the back of the room.
Okay, God. Here we go.

And readers, there you go! A little taste of a wonderful story!
And here's a short bio about Candee:

Candee Fick is the wife of a high school football coach and the mother of three children, including a daughter with a rare genetic syndrome. When not busy with her day job or writing, she can be found cheering on the home team at football, basketball, baseball, and Special Olympics games. In what little free time remains, she enjoys exploring the great Colorado outdoors, indulging in dark chocolate, and savoring happily-ever-after endings through a good book. 

And here are her social and purchase links: